By recording almost nothing but gospel for the last sixteen years, the Rev. Al Green has helped a lot of people forget or overlook the fact that, with the exception of a dodgy compilation or two, he has never made a bad album. He has, in fact, made over a dozen good-to-great ones, including most of his gospel ones and now this, Your Heart's in Good Hands, his return to the secular soul he perfected and abandoned in his million-selling heyday.
With eight of its ten songs recorded and released in Europe over two years ago, In Good Hands has about it the look of thrown-together product from a work-shy journeyman,
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Confirming it, of course, is Green's singing. Although middle age has coarsened his formerly downy-soft highs, he has compensated nicely by weighting the album with uptempo numbers--many of which he wrote--that require his ecstatic mode. Neither "Keep On Pushing Love" (instead of drugs, he means) or "Love Is a Beautiful Thing" (instead of a Michael Bolton thing, he means), for instance, feels too long at five minutes.
Still, it's the understated, midtempo sad song, "Best Love"--replete with descending chord changes and horn charts right out of Green's greatest hits--that shows how much he has deepened since the last time he played the love man. Arthur Baker's "executive" production might explain the succulent synths, but only a decade-plus of communing with the Divine can account for the soul in the voice.
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