On a chilly afternoon in the fall of 1983, a friend of mine and I stopped into Nick's Canteen for what was supposed to be a quick lunch between classes. As we waited for our orders to arrive, we examined the song selections contained by our table's jukebox unit, eventually noticing "Roxanne" by the Police. I convinced my buddy to let me play the record's B-side, the then-rare "Dead End Job."
I would not have normally felt comfortable subjecting my
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Eventually, someone sat down adjacent to us, made his own jukebox selection, and ordered and ate his lunch without getting to hear the song he'd paid for. Miffed, he brought the situation to the attention of Nick himself, who immediately stopped what he was doing and disappeared through a door, reappearing only after he'd brought the Police’s three-minute, thirty-second song to an end—forty-three minutes after it had begun.
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